So they were stuck without a song to record - and then Dixon’s assistant on the session, Bert Berns, suggested that they record one of his songs - one that had been a flop for another group the previous year. Unfortunately, they spent almost all the session trying and failing to get the song down - they just couldn’t make it work - and eventually they gave up on it, and Bacharach produced the song for Jerry Butler, the former lead singer of the Impressions, who had a top twenty hit with it:
And Dixon had just the song for them - a song co-written by Burt Bacharach, and sung on the demo by a young singer called Dionne Warwick. All that was needed was the right song, and they could be as big as Luther Dixon’s other group, the Shirelles.
While “The Snake” didn’t sell, the Isley Brothers clearly had some commercial potential - and indeed their earlier hit “Shout” had just recharted, after Joey Dee and the Starliters had a hit with a cover version of it. As with those labels, Luther Dixon was in charge of the music, and he produced their first single on the label, a relatively catchy dance song called “The Snake”, which didn’t catch on commercially: In 1962 they were dropped by Atlantic and moved on to Wand Records, the third label started by Florence Greenberg, who had already started Tiara and Scepter. When we left the Isley Brothers, they had just signed to Atlantic, and released several singles with Leiber and Stoller, records like “Standing on the Dance Floor” that were excellent R&B records, but which didn’t sell: We’re going to look at “Twist and Shout” by the Isley Brothers. We’re going to look at how a novelty Latin song based around a dance craze was first taken up by one of the greatest soul groups of the sixties, and then reworked by the biggest British rock band of all time. Today we’re going to look at one of the great Brill Building songwriters, and at a song he wrote which became a classic both of soul and of rock music. This podcast is brought to you by the generosity of my backers on Patreon. This three-CD set, though, is the best overview of the group’s whole career. There are many compilations of the public-domain recordings of the Isleys. The information about Bert Berns comes from Here Comes the Night: The Dark Soul of Bert Berns and the Dirty Business of Rhythm and Blues by Joel Selvin. No Mixcloud this week, due to the number of songs by the Isleys.Īmazingly, there are no books on the Isley Brothers, unless you count a seventy-two page self-published pamphlet by Rudolph Isley’s daughter, so I’ve had to piece this together from literally dozens of different sources.įor information about the Isley Brothers the main source was Icons of R&B and Soul by Bob Gulla. Check out Tilt’s irregular podcasts at and Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Patreon backers also have a ten-minute bonus episode available, on “How Do You Do It?” by Gerry and the Pacemakers.
#Four tops songsthe isley brothers songs full
Click the full post to read liner notes, links to more information, and a transcript of the episode.
#Four tops songsthe isley brothers songs download
Download file | Play in new window | Recorded on October 26, 2020Įpisode one hundred and two of A History of Rock Music in Five Hundred Songs looks at “Twist and Shout” by the Isley Brothers, and the early career of Bert Berns.